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19 Surprising New Reveals From Sean Combs: The Reckoning Docuseries

sean combs the reckoning

50 Cent’s new documentary Sean Combs: The Reckoning debuted on Netflix on Tuesday (Dec. 2). The four-part series features several jaw-dropping revelations about the disgraced music mogul. Here are 19 surprising new reveals.

Source: XXLMag

1.
Bad Boy Entertainment cofounder Kirk Burrowes claimed Diddy made The Notorious B.I.G.’s funeral a recoupable expense, basically having Big’s estate pay for the memorial event. Big’s former manager Wayne Barrow, denied these allegations after the documentary came out. Barrow also claimed that the documentary’s stories about Biggie having a contract beef with Bad Boy at the time of his passing are false.

2.
Diddy was physically abused by his mother, Janice Combs. Former friends of Diddy who were interviewed in the doc reflected on how disturbed they were by the beatings.

3.
A couple of people who spoke in the documentary and were close to Diddy back in the day felt he might have had a connection to Tupac Shakur’s death.“I think that Sean now, in my mature mind, I feel Puff had a lot to do with the death of Tupac,” Kirk Burrowes said.

4.
Making The Band’s Aubrey O’Day received offensive emails from her boss, Diddy, while she was working for him on the reality show and in the band Danity Kane. One clip she shared in the documentary was from an email in 2008 where Diddy wrote: “I’mma finish watching this porn and finish masturbating. I’ll think of you. If you change your mind and get ready to do what I say, hit me.”

5.
Kirk Burrowes stated that Bad Boy Entertainment was advised not to go to Los Angeles following Tupac Shakur’s death. Biggie didn’t want to go, but Diddy insisted, canceling a trip to London that they had originally planned. Tragically, Biggie was murdered a day later.

6.
Male escort Clayton Howard claimed Cassie and Diddy collected his semen in a cup for a year. When he asked Diddy why, the hip-hop mogul said: “I like to see her play with it and drink it. What’s wrong with that?” After Howard asked, Diddy and Cassie never asked for his semen again.

7.
Kim Porter was looked at by Diddy’s crew as “wife” while Cassie was looked at as “w”

8.
Diddy wanted to do business with Tupac Shakur, but also felt very threatened by him. Tupac wasn’t interested in doing any business with Diddy.

9.
Diddy called his mom a bitch and slapped her when she questioned him about the fatal City College event Diddy promoted in 1991.

10.
Various speakers from throughout the doc are fearful that Diddy will seek revenge against them once he is released from prison.

11.
In the documentary, Aubrey O’Day read an affidavit from an anonymous individual who claimed to have witnessed a sexual assault on O’Day by Diddy, and another man in 2005. O’Day said she was aware of the accusations in the affidavit before filming, but did not recall the incident. She went on to say she is unsure if she was raped by Diddy and does not wish to find out. She has decided not to pursue the matter further, as she believes her testimony could be detrimental to other victims.

12.
Howard said they laced the baby oil with GHB, and during a three to four-day session, they would use 10 bottles of baby oil. Diddy and Cassie have denied this in the past.

13.
Joi Dickerson-Neal claimed Diddy drugged and assaulted her in 1991. In the doc she says someone later revealed to her that Diddy filmed the incident and showed it to people.

14.
Dickerson-Neal’s mother wrote a letter to Sean Combs’ parents in 1992, detailing that she learned of the assault after her daughter woke up screaming in the middle of the night.

15.
Howard said that if Tupac’s music ever came on during their threesomes, Diddy would make Cassie change the music. That was the only artist that Diddy didn’t want played.

16.
Every March 9th, the anniversary of Big’s death, Diddy and Cassie would fly Clayton Howard to them to drink and party for three to four days while he had sex with Cassie.

17.
Craig Mack was talking to Suge Knight about signing to Death Row Records, but he didn’t because he was scared.

18.
Kirk Burrowes described a time when Diddy walked into an office with a baseball bat and threatened him. Diddy wanted Kirk to sign over his 25 percent share in Bad Boy, and he held a baseball bat over Diddy’s shoulder, pressing until Kirk gave in. After Diddy promised he’d give the shares back, Kirk signed them over to Diddy’s mother, Janice, who had the other 75 percent.

19.
Kirk claims Diddy created a “shell game” with Bad Boy by hiding everything that was an earning and confusing earnings so that artists had to look for their money for the next 20 years.

Read More: 19 Surprising New Reveals From Sean Combs: The Reckoning Doc | https://www.xxlmag.com/sean-combs-the-reckoning-docuseries-new-info/?utm_source=tsmclip&utm_medium=referral

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🎧❄️ HOLIDAY REMIX ALERT ❄️🎧

EnjoyTheBEATZ.com Holiday Season Sale 2025

EnjoyTheBEATZ.com is turning up the cheer with 25% OFF all remixes through the New Year!
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Travis Scott Crushes Records With Massive India Concert Blowout

Travis Scott Crushes Records With Massive India Concert Blowout

Travis Scott shattered attendance records in Delhi with two massive CIRCUS MAXIMUS shows, making Hip-Hop history in India.

Source: AllHipHop

Travis Scott pulled off a colossal feat in India with two sold-out nights at Delhi’s Jawaharlal Nehru Stadium, drawing more than 125,000 people and setting a new benchmark for rap concerts in the country.

The back-to-back shows on October 18 and 19, part of his global CIRCUS MAXIMUS tour, now stand as the largest single-artist performances in Delhi’s history.

The events were organized by Live Nation and BookMyShow and delivered Scott’s signature sensory overload—complete with massive visuals, intense lighting and a stage setup designed to immerse the crowd.

 

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The Houston-born rapper’s India shows are just the latest milestone in a tour that has already rewritten the record books.

Since kicking off in October 2023, the CIRCUS MAXIMUS WORLD TOUR has grossed $209.3 million across 76 sold-out dates, with 1.7 million tickets sold globally, making it the highest-earning solo rap tour to date.

Scott’s run in India isn’t over. He’s scheduled to perform again on November 19 at Mumbai’s Mahalaxmi Racecourse, where another massive crowd is expected.

The tour‘s international leg continues into 2025 with stops planned in Seoul, Sanya, Tokyo and Abu Dhabi.

Read at https://allhiphop.com/news/travis-scott-crushes-records-massive-india-concert-blowout/

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D’Angelo Laid To Rest At Star-Studded Funeral In Virginia

D’Angelo‘s life and legacy was celebrated at a private funeral service in Virginia this past weekend.

Source: HipHopDX

The legendary singer, who passed away at the age of 51 due to pancreatic cancer, was laid to rest on Saturday (November 1) at Saint Paul’s Baptist Church in his birthplace of Richmond.

According to the order of service, images of which surfaced online, the funeral featured tribute performances from Stevie Wonder as well as D’Angelo’s former bands The Soultronics and The Vanguard.

The Soultronics, which supported D’Angelo on his Voodoo Tour in the early 2000s, included the likes of Questlove, James Poyser and Pino Palladino, while The Vanguard is credited on D’s final album, 2014’s Black Messiah.

Bishop Ralland V. Robinson conducted the service, while Pastor Jamal Bryant appeared in a special video tribute. Attendees included Lauryn Hill, DJ Premier, John Mayer and H.E.R., among many more.

The order of service also gave a special thanks to some of D’Angelo’s close friends and collaborators such as Questlove and Q-Tip.

“We wish to express our profound gratitude for the overwhelming outpouring of support,” his family wrote in the program. “Through music, love and light, Michael D’Angelo Archer’s spirit will shine forever.”

D’Angelo Laid To Rest At Star-Studded Funeral In Virginia

https://hiphopdx.com/news/dangelo-funeral-service-virginia/

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🎃 HALLOWEEN HEAT ALERT 🔥

EnjoyTheBEATZ.com Remix Club 2025 Halloween Sale

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Taylor Swift’s ‘Life of a Showgirl’ Dethrones Adele for Biggest Album Sales Week in Streaming Era

Taylor Swift’s ‘Life of a Showgirl’ Dethrones Adele for Biggest Album Sales Week in Streaming Era

Taylor Swift’s The Life of a Showgirl has officially dethroned Adele’s 25 for the biggest opening week for an album in the streaming era, as Swift’s latest record has surged to over 3.5 million album units this week so far.

Source: HollywoodReporter

According to Billboard, which cites data from Luminate, The Life of a Showgirl has sold an astounding 3.2 million copies alone, with an extra 300,000 units coming from streaming of the album. The combined 3.5 million is the biggest opening since Luminate began electronically documenting music sales back in 1991. Adele currently holds the record for most individual sales (not including streams) with over 3.3 million when 25 debuted in 2015, though Swift still has another day of potential sales figures that could put her over the top.

Swift’s strong numbers shirk one of her more polarizing release weeks in years, with The Life of a Showgirl garnering mixed critical reviews. Swifties clearly haven’t cared, as the album quickly set records for most streamed album in a day for 2025, and they’ve clearly been more than willing to shell out extra for the several dozen different physical variants of the album Swift has dropped so far that have helped boost those strong album sales numbers.

Swift herself doesn’t seem to mind the criticism either, telling Zane Lowe in an interview this week that “I welcome the chaos.

“The rule of show business is if it’s the first week of my album release and you are saying either my name or my album title, you’re helping,” Swift said.

These are strong figures even for Swift, who is one of the only artists left who could reliably sell a million units in a week in a streaming era that has significantly brought album sales down. Last year’s The Tortured Poets Department opened with over 2.6 million units, while Midnights opened with about 1.5 million units. Swift is dominating both the album charts and the box office, with her theatrical Album Release Party making a combined 50.1 million domestically and oversees.

Final first-week numbers will be revealed this weekend. The No. 1 is locked, and the question now becomes how much of the Hot 100 Swift will have to herself next week. Both Midnights and The Tortured Poets Department dominated the entire top-10 on that chart, and Life of a Showgirl will likely do the same.

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10 Years of Remix Culture — Thank You!

EnjoyTheBEATZ.com Remix Club 10 Year Anniversary

Since 2015, EnjoyTheBeatz.com/EnjoyTheRemix.com has been remixing the game—literally. What started as a passion project has grown into a vibrant hub for DJs, music lovers, and creatives across the globe. And now, we’re proud to celebrate 10 years online with YOU, the community that made it all possible.

🚀 The Journey So Far

• Nearly 10,000 remixes and counting
• Over 250,000 remixes sold
• More than 4,000 customers served
• A growing family of 5,000+ social media followers
• Hundreds of music video remixes and free downloads
• A genre-spanning catalog: Hip Hop, Rap, Pop, Rock, Old School, Dance, Electro, EDM, Reggae, 70s, 80s, 90s, and so much more

🎧 Whether you’re spinning at a party, producing in the studio, or just vibing at home, our mission has always been the same: deliver high-quality, low-cost, inclusive, and genre-rich remixes that move people.

💬 From the bottom of our beat-loving hearts—thank you for riding with us, remixing with us, and building this culture together. We’re just getting started.

Here’s to the next decade of rhythm, creativity, and community.
#EnjoyTheBeatz #10YearAnniversary #BuiltForRemixes

Currently, all remixes on sale for $0.55 cents each.

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Top 10 Remix Chart for May 2025

enjoythebeatz.com top 10 remixes

EnjoyTheBEATZ.com Top 10 Remix Chart (based on sales)
May 2025

Excludes free remixes.

10. Kendrick Lamar – TV Off remix
9. C&C Music Factory – Do You Wanna Get Funky remix
8. Saweetie vs Petey Pablo & Lil Jon – My Type vs Freek-A-Leek mashup
7. Rihanna feat Jay Z – Umbrella remix
6. The Gap Band – Humpin’ remix
5. Trillville – Some Cut remix
4. The Gap Band – Outstanding remix
3. Sean Kingston – Me Love remix
2. The Pointer Sisters – Slow Hand remix

1. Quincy Jones feat Barry White, Al B Sure, James Ingram, El DeBarge – The Secret Garden

quincy jones barry white james ingram al b sure el debarge - the secret garden

 

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AI Eminem: The Mixtape We Can’t Ignore, But Must Defend Against

AI Eminem: The Mixtape We Can’t Ignore, But Must Defend Against

AI Eminem’s mixtape raises tough questions about authenticity, creativity, and whether Hip-Hop’s essence can survive in an artificially generated future.

Source: AllHipHop

Artificial intelligence is, in many ways, the great scoundrel of our age. The technology has barreled into creative spaces without checks, balances or any real regard for the fragile ecosystem of artistry. Right now, it feels less like innovation and more like the mass production of counterfeit creativity. And yet, every so often, an exception emerges that forces even the staunchest critic to pause.

Someone recently stitched together an entire mixtape of “AI Eminem” with the name Dope Sick. The creators didn’t just mimic Slim Shady. They did the unthinkable: they trained the machine to channel early-2000s Marshall Mathers with frightening precision. There are some glitches, but it truly sounds close to the raw, unfiltered Em that many fans still long for. Hardcore listeners immediately know it’s not Marshall Mathers. But to the casual ear, it sounds like unreleased material from a prime era, once thought to be long gone.

In the early 1900s, Walter Benjamin made a now-famous argument in The Work of Art in the Age of Mechanical Reproduction. He theorized once art is endlessly replicated, it loses its “aura.” He said that its unique presence was tied to time and place. AI Eminem, despite how it feels, has no aura. It’s just a damn simulacrum that tricked me—tricked us—into nostalgia. And that’s what bothers me.

This digital quandary raises existential questions for every creator. What happens when machines can convincingly replicate the artistic peaks of our icons? On the other hand, what if the real Slim Shady decided to use this technology as a mirror, a way to rediscover the old him, the cadences or some new demented inspiration? This is the messy reality of artistry smashing into the algorithm.

Read more at https://allhiphop.com/exclusives/ai-eminem-the-mixtape-we-cant-ignore-but-must-defend-against/