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EnjoyTheBEATZ.com Top 10 Remix Chart (based on sales)
July 2025
Excludes free remixes.
10. Da Brat feat Jermaine Dupri – Funkdafied remix
9. Prince vs James Brown – Kiss vs Get Up (Sex Machine) mashup
8. The Gap Band – You Dropped the Bomb on Me remix
7. Shakira feat Wyclef Jean – Hips Don’t Lie remix
6. Earth, Wind & Fire – September remix
5. Earth, Wind & Fire – Let’s Groove remix
4. Archie Bell & The Drells – Tighten Up remix
3. Patti Austin feat James Ingram – Baby, Come To Me remix
2. 2 Live Crew – Get It Girl remix
1. Bill Medley, Jennifer Warnes – (I’ve Had) The Time of My Life remix
Taylor Swift’s The Life of a Showgirl has officially dethroned Adele’s 25 for the biggest opening week for an album in the streaming era, as Swift’s latest record has surged to over 3.5 million album units this week so far.
Source: HollywoodReporter
According to Billboard, which cites data from Luminate, The Life of a Showgirl has sold an astounding 3.2 million copies alone, with an extra 300,000 units coming from streaming of the album. The combined 3.5 million is the biggest opening since Luminate began electronically documenting music sales back in 1991. Adele currently holds the record for most individual sales (not including streams) with over 3.3 million when 25 debuted in 2015, though Swift still has another day of potential sales figures that could put her over the top.
Swift’s strong numbers shirk one of her more polarizing release weeks in years, with The Life of a Showgirl garnering mixed critical reviews. Swifties clearly haven’t cared, as the album quickly set records for most streamed album in a day for 2025, and they’ve clearly been more than willing to shell out extra for the several dozen different physical variants of the album Swift has dropped so far that have helped boost those strong album sales numbers.
Swift herself doesn’t seem to mind the criticism either, telling Zane Lowe in an interview this week that “I welcome the chaos.
“The rule of show business is if it’s the first week of my album release and you are saying either my name or my album title, you’re helping,” Swift said.
These are strong figures even for Swift, who is one of the only artists left who could reliably sell a million units in a week in a streaming era that has significantly brought album sales down. Last year’s The Tortured Poets Department opened with over 2.6 million units, while Midnights opened with about 1.5 million units. Swift is dominating both the album charts and the box office, with her theatrical Album Release Party making a combined 50.1 million domestically and oversees.
Final first-week numbers will be revealed this weekend. The No. 1 is locked, and the question now becomes how much of the Hot 100 Swift will have to herself next week. Both Midnights and The Tortured Poets Department dominated the entire top-10 on that chart, and Life of a Showgirl will likely do the same.
Mac Miller fans have been blessed with three new songs as part of a 10th anniversary edition of GO:OD AM.
Source: HipHopDX
Uploaded to streaming services on Friday (October 3), the batch of previously unreleased tracks include “Cable Box,” “Carpe Diem” and “Royal Flush,” a collaboration with Vinny Radio.
Frequent Mac Miller collaborator and fellow Pittsburgh native ID Labs produced “Cable Box” and “Royal Flush,” while “Carpe Diem” features atmospheric production from Clams Casino, who previously worked with Mac on projects like Blue Slide Park, Macadelic and Watching Movies With the Sound Off.
The best of the bunch is the latter, which finds the Most Dope MC flexing his nimble, introspective rhymes and melodic yet melancholic singing voice while reflecting on the ups and downs of his rise to fame.
A particular line early on in the song will hit deep for most Mac fans when he prophetically raps: “One day I’ma be the greatest, retire my jersey.” You can’t help but wonder how his career (and life) would have panned out had he not tragically passed away seven years ago.
The three new songs can be streamed below.
GO:OD AM (10th Anniversary) is the second posthumous Mac Miller offering this year following Balloonerism, which was released by his estate in January.
Featuring collaborations with close friends SZA and Thundercat, the project was originally recorded in 2014 around the same time as Faces, but was shelved in favor of GO:OD AM, Mac’s major label debut.
The 14-track effort, which captured Mac’s artistic evolution as he experimented with sounds, instruments and genres, debuted at number three on the Billboard 200 after earning 81,000 units in its first week.
From: https://hiphopdx.com/news/mac-miller-new-songs-good-am-10th-anniversary/
EnjoyTheBEATZ.com Top 10 Remix Chart (based on sales)
June 2025
Excludes free remixes.
10. Onyx – Slam remix
9. De La Soul – Me, Myself & I remix
8. Madonna – Celebration remix
7. Snoop Dogg – What’s My Name remix
6. Junior M.A.F.I.A. – Player’s Anthem remix
5. Keri Hilson feat Kanye West, Ne-Yo – Knock You Down remix
4. Kid Ink feat Fetty Wap – Promise remix
3. Jonas Brothers – Love Me To Heaven remix
2. Lady Gaga – Abracadabra remix
1. The Deele – Two Occasions Remix
There’s no money like show money and dozens of rappers are hitting the road on tour in 2025.
Source: XXLMag
Touring has been the lifeblood for many hip-hop artists over the years as it gives them the opportunity to get in front of their fan base, promote new music and stack some coin in the process. Following a lull after the pandemic, live shows have been back in full swing and 2025 looks to be a big year to see some of your favorite rappers live and in the flesh.
Coming off his chart-topping Chromakopia album, Tyler, The Creator already hit the road for the first part of his Chromakopia World Tour stateside. He’ll hit Europe then return back to the U.S. this summer with Lil Yachty and Paris Texas, who join Tyler on the massive tour, his biggest jaunt to date. Kendrick Lamar is also on the road in promotion of his new GNX album. Dot has taken his former labelmate SZA to perform on the Grand National Tour, which is already breaking records.
Playboi Carti is hitting the road after releasing his highly anticipated Music album earlier this year. In October, he is taking the entire Opium crew on the Antagonist 2.0 Tour. Lil Wayne is promoting his highly anticipated Tha Carter VI album with The Carter VI Tour. Other big acts hitting the road in 2025 include Chris Brown (Breezy Bowl XX Stadium World Tour), Doja Cat (Ma Vi Tour) and more.
Some artists have already wrapped up major tours, including ScHoolboy Q, Cordae and others. Cardi B is getting the jump on 2026 by announcing in September that she is going on tour to promote her sophomore album, Am I The Drama?, next year.
There have been more than 50 tours announced this year. Those that already happened have been removed from this complete tour guide. Peep which rappers are currently touring in 2025 below and check back as the list is updated throughout the year.
See Which Rappers Are Going on Tour in 2025
Read More: See All the Rappers Touring in 2025 | https://www.xxlmag.com/rappers-touring-2025/?utm_source=tsmclip&utm_medium=referral
Since 2015, EnjoyTheBeatz.com/EnjoyTheRemix.com has been remixing the game—literally. What started as a passion project has grown into a vibrant hub for DJs, music lovers, and creatives across the globe. And now, we’re proud to celebrate 10 years online with YOU, the community that made it all possible.
🚀 The Journey So Far
• Nearly 10,000 remixes and counting
• Over 250,000 remixes sold
• More than 4,000 customers served
• A growing family of 5,000+ social media followers
• Hundreds of music video remixes and free downloads
• A genre-spanning catalog: Hip Hop, Rap, Pop, Rock, Old School, Dance, Electro, EDM, Reggae, 70s, 80s, 90s, and so much more
🎧 Whether you’re spinning at a party, producing in the studio, or just vibing at home, our mission has always been the same: deliver high-quality, low-cost, inclusive, and genre-rich remixes that move people.
💬 From the bottom of our beat-loving hearts—thank you for riding with us, remixing with us, and building this culture together. We’re just getting started.
Here’s to the next decade of rhythm, creativity, and community.
#EnjoyTheBeatz #10YearAnniversary #BuiltForRemixes
Currently, all remixes on sale for $0.55 cents each.
EnjoyTheBEATZ.com Top 10 Remix Chart (based on sales)
May 2025
Excludes free remixes.
10. Kendrick Lamar – TV Off remix
9. C&C Music Factory – Do You Wanna Get Funky remix
8. Saweetie vs Petey Pablo & Lil Jon – My Type vs Freek-A-Leek mashup
7. Rihanna feat Jay Z – Umbrella remix
6. The Gap Band – Humpin’ remix
5. Trillville – Some Cut remix
4. The Gap Band – Outstanding remix
3. Sean Kingston – Me Love remix
2. The Pointer Sisters – Slow Hand remix
1. Quincy Jones feat Barry White, Al B Sure, James Ingram, El DeBarge – The Secret Garden
AI Eminem’s mixtape raises tough questions about authenticity, creativity, and whether Hip-Hop’s essence can survive in an artificially generated future.
Source: AllHipHop
Artificial intelligence is, in many ways, the great scoundrel of our age. The technology has barreled into creative spaces without checks, balances or any real regard for the fragile ecosystem of artistry. Right now, it feels less like innovation and more like the mass production of counterfeit creativity. And yet, every so often, an exception emerges that forces even the staunchest critic to pause.
Someone recently stitched together an entire mixtape of “AI Eminem” with the name Dope Sick. The creators didn’t just mimic Slim Shady. They did the unthinkable: they trained the machine to channel early-2000s Marshall Mathers with frightening precision. There are some glitches, but it truly sounds close to the raw, unfiltered Em that many fans still long for. Hardcore listeners immediately know it’s not Marshall Mathers. But to the casual ear, it sounds like unreleased material from a prime era, once thought to be long gone.
In the early 1900s, Walter Benjamin made a now-famous argument in The Work of Art in the Age of Mechanical Reproduction. He theorized once art is endlessly replicated, it loses its “aura.” He said that its unique presence was tied to time and place. AI Eminem, despite how it feels, has no aura. It’s just a damn simulacrum that tricked me—tricked us—into nostalgia. And that’s what bothers me.
This digital quandary raises existential questions for every creator. What happens when machines can convincingly replicate the artistic peaks of our icons? On the other hand, what if the real Slim Shady decided to use this technology as a mirror, a way to rediscover the old him, the cadences or some new demented inspiration? This is the messy reality of artistry smashing into the algorithm.
Read more at https://allhiphop.com/exclusives/ai-eminem-the-mixtape-we-cant-ignore-but-must-defend-against/
Now you can reach us at EnjoyTheRemix.com
